The Cole Clark FL2EC RDBL Redwood/Blackwood Acoustic Electric Guitar is a striking entry in the Fat Lady 2 series, pairing exquisite Australian-grown Redwood with premium Blackwood for stunning tone and visual appeal. Built with all-solid timbers and internally carved top and back, this dreadnought cutaway model offers full-bodied resonance, excellent projection, and a smooth playing feel. The natural satin nitrocellulose finish enhances the guitar's sonic response while showcasing the unique grain of the timber.

Equipped with Cole Clark’s renowned 3-way pickup system, the FL2EC RDBL excels in both live and studio settings, offering a wide tonal range and natural acoustic clarity. Additional features include a Queensland Maple neck, Blackbean fingerboard, Grover machine heads, and elegant snowflake inlays. Each guitar is PLEKed for optimal playability straight from the case, ensuring a perfectly set-up instrument with outstanding intonation and comfort.

Features:

• Australian-grown solid Redwood top with Blackwood back and sides

• Cole Clark 3-way pickup system for studio and stage versatility

• Inlaid timber binding, purfling, rosette, and snowflake fretboard inlays

• Internally carved dreadnought body with natural satin nitro finish

• PLEK machine setup for optimised action and precision playability

Specs

• All solid timber cutaway dreadnought with internally carved top and back
• Cole Clark 3-way pickup system
• Finish: Nitrocellulose (natural satin)
• Neck: Queensland Maple
• Top: Australian grown American Redwood
• Back and sides: Australian Blackwood
• Inlaid timber binding, purfling and rosette
• Bridge/Fretboard: Blackbean/Blackwood
• Inlays: Snowflake
• Machine Heads: Grover
• Nut/Saddle: Graph Tech Tusq
• Strings: Phosphor Bronze 12-53
• Nut Width: 44mm/1.73″
• Pick Guard supplied in case

PLEK

All of our Cole Clarks have been PLEKed!

PLEK machines are built and sold by A+D Gitarrentechnologie of Berlin, Germany. The machines were developed by musician and guitar instructor Gerd Anke with his partner Michael Dubach, who called their company PLEKTRON when it was founded in 1990. The goal of the PLEK process they created is to guarantee the best possible string action for each instrument. Simply put, a guitar with optimized playability sounds better. The strings do not strike the frets during playing and any intonation problems that may occur due to too-low string action are eliminated. Similarly, action that’s too high is also a thing of the past with PLEKing.

The PLEKing process is done by CNC (computer numerical control) machines, which use microprocessors to perform their tasks. That doesn’t mean human craftspeople are excluded from this process. The PLEK machine is ultimately a tool to reduce variances between guitars, which allows Cole Clarks expert builders to do their jobs more efficiently.

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